Final Picture

 Used Technique Layers
  • The origin is a colour diapositive.
  • Two colours, yellow and blue, have been separated to two different black and white graphical negatives.
  • The graphical negatives have been developed in monochrome colour developers into red and blue negatives.
  • These two negatives have finally been overlaid and printed to a colour paper.
  • As far as I remember, the origin is a colour diapositive.
  • One positive copy have been created with kept gradation and developed in a monochrome colour developer to cyan. The clouds appear in this layer.
  • One negative with graphic gradation has been created and developed in a monochrome colour developer to green.
  • The latter negative have been the origin to a third solarization negative which has been developed in a monochrome colour developer to blue
  • These three negatives have finally been overlaid and printed to a colour paper.
  • The origin is a colour negative.
  • One positive copy has been created with kept gradation and developed in a monochrome colour developer to purpur.
  • One negative copy has been created with kept gradation and developed in a monochrome colour developers to cyan.
  • One solarization is made from the latter negative and kept black and white..
  • These three negatives have finally been overlaid and printed to a colour paper.
  • The origin is a studio black and white negative.
  • Another negative copy has been created with kept gradation and developed in a monochrome colour developer to blue.
  • A solarization has been made from a black and white graphic copy of the original negative and developed in a monochrome colour developer to yellow.
  • These two negatives have finally been overlaid and printed to a colour paper.
  • The origin is an ordinary black and white negative.
  • One graphical negative was made from the original
  • One positive with kept full gradation was made from the original
  • Both the positive and negative were overlaid and printed to an ordinary black and white photo paper
  • The origin is an ordinary black and white negative of a flash portrait to a dark background.
  • The portrait is separated into three gradations of grey (black, grey and white).
  • The separation of white (in the final picture) was made by under expose to a graphical negative.
  • The separation of grey was made by overexpose onto a graphical negative. A new negative with the a grey and black gradation was made.
  • Both negatives were overlaid and printed on a black and white photo paper.
  • The original is a strong enlargement of the silver grains in an ordinary film emulsion.
  • Several "grain" copies were created and overlaid with each negative rotated a bit compared to the former. Thus a rotation centre appear. A new negative was created from these.
  • The face has also a white "relief" or "shadow" effect that contributes with depth to the picture. This has been created by subtracting the face parts from the grain negative.
  • The face negative (extracted from a portrait) and the relief grain negative is overlaid (by some displacement between face and relief) and printed on a black and white photo paper.
  • The origin is an ordinary black and white negative of an outdoor portrait.
  • A graphical negative was first created
  • From that negative a solarization was made
  • The solarization was finally printed on black and white photo paper
  • The origin is from a negative that had fall to the floor and got very scratched. This negative vas copied to six identical graphical negatives. All six negatives were overlaid with each negative rotated a bit compared to the former. Thus, a "tunnel" of scratches was created on a new negative.
  • The eye was extracted from a portrait photo onto a graphical negative and overlaid on the rotation centre of the scratch "tunnel".
  • Both negatives were overlaid and printed on a black and white photo paper.